How can we trace the wounds of colonialism in the art historical record?

In a striking photograph, Otto Karl Werckmeister captured Peter H. Feist—widely regarded as the leading art historian of the former German Democratic Republic (GDR)—at the sculpture garden of the Georg Kolbe Museum in Berlin. Feist, dressed in a sharp blue suit, fixes his attentive gaze on the viewer, holding his camera poised at the ready.

It is not easy to explain in such a limited space which philosophical, methodological, and practical features characterize the study of Kunstwissenschaft that arose from the insights won by Karl Marx and Friedrich Engels and were enriched by Vladimir Lenin, as well as many other scholars and revolutionaries.