Archive | June, 2025

Mandy Tröger, Richard Maxwell, Ben Scott, Sut Jhally, Des Freedman, Deepa Kumar, and Victor Pickard on Robert W McChesney

CounterSpin interview with Erin Reed on trans care ‘questions’.

Hundreds of migrants have been illegally deported by the U.S. to these infamous prisons, currently there are approximately 110,000 prisoners across the country; approximately 85,000 of these prisoners have been arrested since the start of the state of exception, an emergency measure that has been renewed 36 times by the National Assembly since its promulgation in March 2022.

Israel is using the so-called Gaza Humanitarian Foundation to condense Palestinians into increasingly narrow enclaves, forcing displacement through need. We are witnessing the rise of a new humanitarianism where aid sites double as kill zones.

This entertaining Wes Anderson satire on imperialist scheming combines a slightly weak plot with clever characterisation but is mysterious in its intention and timing, finds Lucy Nichols.

Irony is dead. It lies buried in Gaza, under the rubble the West helped create.

A number of notable parallels run through the histories of Israel and the United States.

Glencore, one of the world’s largest mining conglomerates at the confluence of worker exploitation, environmental destruction, and genocide, brought Palestine solidarity activists, trade unionists and mining affected communities together in a unified protest.

The Classroom Is a Battleground Teaching U.S. history in a public high school today is a subversive act. In the face of mounting attacks on education, educators like me are caught between the curriculum we are allowed to teach and the truth students desperately need to understand. It is no exaggeration to say that the […]

We speak with Lauren Arrington about her forthcoming book on women artists in the Federal Arts Project. The Great Depression rendered 140,000 women and girls across the United States homeless. In 1935, Franklin Delano Roosevelt founded the Works Progress Administration (WPA) that employed 8.5 million people over the course of eight years. In her book, Arrington challenges the popular memory of WPA art as a story of straight white men. Instead, she argues that the works of art that many women created under the Federal Arts Project made visible Black, immigrant, and women’s lives in a way that challenged segregationist, xenophobic, and sexist structures intrinsic in the nation’s institutions.