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Cinema as a Democratic Emblem1
Philosophy only exists insofar as there are paradoxical relations, relations which fail to connect, or should not connect. When every connection is naturally legitimate, philosophy is impossible or in vain.
Philosophy is the violence done by thought to impossible relations.
Today, which is to say “after Deleuze,” there is a clear requisitioning of philosophy by cinema — or of cinema by philosophy. It is therefore certain that cinema offers us paradoxical relations, entirely improbable connections.