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Karl Marx and the Iroquoi (Rosemont, 1989)
There are works that come down to us with question-marks blazing like sawed-off shotguns, scattering here and there and everywhere sparks that illuminate our own restless search for answers. Ralegh’s so-called Cynthia cycle, Sade’s 120 Days, Fourier’s New Amorous World, Lautremont’s Poesies, Lenin’s notes on Hegel, Randolph Bourne’s essay on The State Jacque Vaches War letters, Duchamp’s Green Box, the Samuel Greenberg manuscripts.