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Photo by Peter Lewicki

Confronting Cinema’s Fascist Unconscious with Maxximilian Seijo

In this episode, Money on the Left cohost Maxximilian Seijo (@maxseijo) expands upon the argument made in his video essay, “Inglorious Basterds: Nazi Desire Fully Employed,” which takes a neochartalist lens to Quentin Tarantino’s Inglorious Basterds (2008). View the video essay here.

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