Vibiana Aparicio-Chamberlin’s poetry in Chicana on Fire (2022) is testimonial and collective.

The simple quietness in Leiva’s photography reveals his poetic contemplation while exposing the loss of visual honesty in an era of hyper imagery manipulation.

Garcia’s series highlights the imposition of racism as an insidious paradigm, defining who is, and what makes, an “American.”

The success of The Young Karl Marx derives from Peck’s ability to demonstrate the relevance of Marx for the present.