Archive | Exchange

Economist Michael Hudson discusses the update of his book Super Imperialism: The Economic Strategy of American Empire and the financial motivations behind the U.S. new cold war on China and Russia.

Watch our release of documentary short The Rifleman, which examines how NRA head Harlon Carter fused gun rights, immigration enforcement, and white supremacy. Then read an interview with filmmaker Sierra Pettengill and historian Roxanne Dunbar-Ortiz.

Chavez’s former Vice President and long-time minister talks about the internal dynamics of the Bolivarian process.

Freedman notes that Guardian editor, Kath Viner, promised that her newspaper would ‘challenge the economic assumptions of the last three decades’, ‘challenge the powerful’ and ‘use clarity and imagination to build hope’.

Following the publication of the special issue on Samir Amin, we post short interviews by the authors on the influence of Amin on their lives and research.

In the Notes from the Editors to the March 2021 issue of Monthly Review, the MR editors questioned some of the arguments in Richard Smith’s book, China’s Engine of Environmental Collapse, as well as replied to Simon Pirani’s related criticisms (writing under his pseudonym of Gabriel Levy) of MR editor John Bellamy Foster on China and the environment. Both Smith and Pirani have written replies to our March editorial, which we are publishing here, along with our own rejoinder.

Yves here. Get a cup of coffee. This is another meaty talk with Michael Hudson, this time focusing on his classic Super Imperialism. Hudson has an updated and expanded version set to go to print soon.

Large parts of the world—outside of China and a few other countries—face a runaway virus, which has not been stopped because of criminal incompetence by governments.

The media is driven by the enormous profits made during election campaigns. Feeding the fury and the fear of all types is just good for business. Bob McChesney joins Paul Jay on theAnalysis.news podcast.

Modern Times, directed by Charlie Chaplin, was released in 1936, in the depths of the Great Depression. It opens with a clock marking the beginning of the working day and a sentence: “A story of industry, of individual enterprise—humanity crusading in the pursuit of happiness.”

The sociologist never levels the “authoritarian” charge against his own government, despite the United States’ murderous lawlessness at home and abroad—mass deportations, illegal wars, serial police killings, etc.—all in the absence of any credible external threat.